Jun. 1st, 2003

truepenny: artist's rendering of Sidneyia inexpectans (Default)
'Cause I'm a lemming (thanks, [livejournal.com profile] vassilissa), and 'cause I was actually hoping for the result I got. I'm not sure I agree with it, but I didn't cheat. And I like it.

I'm not bad. I'm just drawn that way. )
truepenny: artist's rendering of Sidneyia inexpectans (Default)
Found via [livejournal.com profile] jess79.

I think the conceit of this one is exceptionally clever, because it was something I thought about while I was reading His Dark Materials, and I know if I'd read HDM when I was ten or eleven, I would have spent a lot of time "playing daemon." And I like my answer. I'm not convinced it would turn out to be the right answer, were I to find myself in Lyra's Oxford, but it's certainly an answer I can live with.

Now what we need is a Daemon Name Generator. )
truepenny: artist's rendering of Sidneyia inexpectans (Default)
This is the best 404 error message I believe I've ever seen.
truepenny: artist's rendering of Sidneyia inexpectans (b-dylan (p3: jess))
I am going to try very hard to ask this question in a way that will make sense. Bear with me.

I'm wondering what reasons there are for telling a story out of order. Let me be clear: I mean REASONS, not DEVICES. For example, you can have a narrative that starts at a wedding and is a series of flashbacks interspersed with the ceremony to show you how these two people ended up marrying each other (and trust me, if I were actually writing that story, their motivations would not be romantic). But that's not a reason to tell the story out of order; it's a device to structure that non-linear sequencing.

What I'm after is why. WHY does a story need, as some stories inarguably do, to be told in a nonlinear fashion? What are the thematic and structural underpinnings that will show the reader the choice is about something other than showing off?

Am I making any sense at all?

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truepenny: artist's rendering of Sidneyia inexpectans (Default)
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