This is a PSA and also a gloat: Stephen Booth's King Lear, Macbeth, Indefinition, and Tragedy is now available from the most excellent people at Cybereditions. How do I know this? Because I HAVE A COPY. I am not clutching it in my grubby little paws even as we speak because I have to type, but otherwise I totally would be.
Despite its unwieldy title, KLMIT is my favorite book of literary criticism EVER. It radically changed the way I thought about plays and narrative, and I am incapable of talking about King Lear (as my friends know to their chagrin) without citing it. It is ALL OVER my dissertation. It is also READABLE (which, sadly, one cannot always say about books of literary criticism) and conveys, along with the intellectual fascination, the joie de vivre that the best Shakespeareans bring to discussions of Shakespeare. I have been trying to find a copy to love, hug, squeeze, and call George for probably fifteen years.
In conclusion, GLOAT.
Despite its unwieldy title, KLMIT is my favorite book of literary criticism EVER. It radically changed the way I thought about plays and narrative, and I am incapable of talking about King Lear (as my friends know to their chagrin) without citing it. It is ALL OVER my dissertation. It is also READABLE (which, sadly, one cannot always say about books of literary criticism) and conveys, along with the intellectual fascination, the joie de vivre that the best Shakespeareans bring to discussions of Shakespeare. I have been trying to find a copy to love, hug, squeeze, and call George for probably fifteen years.
In conclusion, GLOAT.