May. 18th, 2018

truepenny: artist's rendering of Sidneyia inexpectans (Default)
The Sixteenth Rail: The Evidence, the Scientist, and the Lindbergh KidnappingThe Sixteenth Rail: The Evidence, the Scientist, and the Lindbergh Kidnapping by Adam Schrager

My rating: 4 of 5 stars


I'm wary of books about the Lindbergh kidnapping, but this one is focused on Arthur Koehler (pronounced KAY-lerr), who is rightly called the father of forensic botany, and his work on Hauptmann's terrible ladder. The way Koehler worked backwards from the finished ladder to the origins of the rungs and rails is fascinating, especially--of course--the 16th rail, which is the one that came from Hauptmann's attic.

Schrager is honest about the inconsistencies between Koehler's reports and his trial testimony (could he or could he not determine that it was a three-quarters inch chisel, for example) and the opinions of modern tool mark experts that Koehler couldn't have known with certainty the things he claimed he knew. I'm a little dubious about the tool mark experts, because if Koehler COULDN'T follow the trail left by the tool marks in the way that he did, then there are some whopping coincidences involved in getting him to the right answer (I'm willing to believe Hauptmann wasn't the only kidnapper, much less willing to believe he was an innocent framed lamb, And Schrager does convince me that Koehler would not have participated in a frame-up.)

This is not a great book--it's hagiographic and the prose is not better than adequate--but it was well worth the read.



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truepenny: artist's rendering of Sidneyia inexpectans (Default)
Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old ChinaMidnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China by Paul French

My rating: 5 of 5 stars


This is an excellent book, about the murder of a young Englishwoman in Peking in 1937, and the failure of the official investigation, caught between the rock of Chinese corruption and the hard place of British determination to squelch all scandal, and then about the quite remarkable investigation conducted by the young woman's father (then in his seventies) and the solution he discovered. It makes an interesting pair with People Who Eat Darkness: both are stories about the very strange worlds of expatriate Anglo society in Asian countries and about living along the interface between two radically different cultures, about foreignness (both being somewhere foreign and being foreign) and about falling through the cracks.

Also about what happens to young women who cross the paths of men who think they have the inalienable right to take whatever they want.



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