My Thoughts Be Bloody: The Bitter Rivalry Between Edwin and John Wilkes Booth That Led to an American Tragedy by
Nora TitoneMy rating:
4 of 5 starsThis is not as good a biography of John Wilkes Booth as
American Brutus; on the other hand, it is a very good collective biography of Junius Brutus Booth and his two most famous sons, Edwin and John Wilkes. Edwin, largely forgotten now, was the preeminent Shakespearean actor of his day---much more famous in his time than John Wilkes could ever hope to be, and this, Titone argues, is at the root of John Wilkes Booth's decision to assassinate Abraham Lincoln.
She's weakest, actually, on the assassination; although she believes JWB was a Confederate spy (a claim which Kauffman in
American Brutus finds dubious), she doesn't provide any details about what JWB was allegedly doing for the Confederacy, and she skips over the lengthy and elaborate plotting that went on among JWB and his co-conspirators, just as she fails entirely to mention the trial for treason after JWB's death.
Her focus is very much on the intrafamilial tensions of the Booths, the poisonous legacy (I think, although Titone doesn't specifically argue) of their famous, unbalanced father. Titone does argue, and handiliy proves, that Edwin Booth's life was shaped and ruined by his adolescence as his father's keeper, and she seems to think that JWB's faults can be traced to the lack of a male role model (JBB being first continually on the road and then dead) and to the bitter relationship between JWB and Edwin, a back and forth of treachery and abandonment and a kind of passive-aggressive oneupsmanship that Edwin seems to have specialized in. Neither of them ever forgave the other for anything.
Titone seems to follow Asia Booth Clarke (who wrote memoirs of her father and her brothers) in feeling that JWB was just a rash, hot-headed boy. She certainly doesn't give him any of the credit for Machiavellianism that Kauffman does (although she does note his preternatural ability to talk people into things), and she doesn't do anything to bridge the gap between his outspoken embrace of the Confederate cause and the rather desperate place his life was in in the spring of 1865, and the moment he jumps out of the Lincolns' box and shouts Sic semper tyranis. She notes that nobody could understand the logic behind the assassination, but offers no explanation herself.
She's much stronger on Edwin than she is on JWB, probably because Edwin was a voluminous correspondent and left a lot more material, and she does a great job of describing the nineteenth-century American theatrical milieu in which they both moved.
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