Hi! Muneraven steered me over to this discussion. As a writer who's been hit with the slash stick, too, I really appreciate the clarity of your argument.
"Labelling a homosexual relationship in a work of fiction as slash is wrong for a couple of reasons. One is that it's eliding the line between a work of fiction and commentary ON that work of fiction. I think it's inherent to slash that it is subverting and deconstructing and undercutting a canon text's assumptions about sexuality and love (using "text" here in a broad and metaphorical sense, rather than the literal one of words-printed-on-a-page). Slash is a game played with canon, and part of its value is in the tension it both creates and illuminates between canon text and subtext.
The other reason that it's wrong to label homosexual relationships, whether in or out of fiction, as slash is that it is reinscribing heteronormativity on our society and our discourse. It's a syllogism. Slash is gay sex. Slash is subversive. Therefore, gay sex is subversive. "
Good argument
"Labelling a homosexual relationship in a work of fiction as slash is wrong for a couple of reasons. One is that it's eliding the line between a work of fiction and commentary ON that work of fiction. I think it's inherent to slash that it is subverting and deconstructing and undercutting a canon text's assumptions about sexuality and love (using "text" here in a broad and metaphorical sense, rather than the literal one of words-printed-on-a-page). Slash is a game played with canon, and part of its value is in the tension it both creates and illuminates between canon text and subtext.
The other reason that it's wrong to label homosexual relationships, whether in or out of fiction, as slash is that it is reinscribing heteronormativity on our society and our discourse. It's a syllogism. Slash is gay sex. Slash is subversive. Therefore, gay sex is subversive. "
Beautifully put!