truepenny: artist's rendering of Sidneyia inexpectans (writing: octopus)
[personal profile] truepenny
(Or, displacement activity to distract from the corner I have written myself into.)

My birthday/X-mas present to myself is a Pelikan Technixx fountain pen (in chrome), since Fountain Pen Hospital has them for $40. I'm trying, in a not very serious way, to collect one pen from each of the great fountain pen manufacturers. I have Sheaffer, Waterman, Cross, and now Pelikan. Plus the two Lamys* and the Griffith Stadium pen (interestingly, Ballpark Pens no longer seems to be making fountain pens, so I'm glad I grabbed that one when I did, because--historic awesomeness aside--it's a really nice pen) and the handful of vintage pens (mostly nibless) [livejournal.com profile] maryrobinette gave me.

I do actually use all my pens (except the vintage ones, which are my dragon hoard), each with a different color so I can keep track of different projects/locations. It's a way to make the physical act of writing more fun that works very well for me.


  • The Lamy Safari demonstrator that lives in my purse gets violet ink cartridges. Lamy's violet isn't wildly exciting, but it's a nice workhorse color for my purposes.
  • The Waterman Phileas uses black; it's my administrivia pen and also the pen I write down my dreams with. I've been experimenting with blacks lately, and have just ordered Noodler's Old Manhattan (described as "blackest black") from FPH.
  • The Griffith Park pen uses Pelikan cartridges; it gets Pelikan's "brilliant green," which I actually quite like.
  • I use Noodler's Couleur Royale in my Sheaffer Legacy II. I love the deep blue-shading-toward-purple and am unlikely to stray.
  • The Cross ATX gets a ink I mixed myself (yes, such are the depths to which I have descended), about 45% Noodler's Nightshade, 45% Ottoman Rose, and 10% Couleur Royale. Nightshade I found too rusty-brown-black rather than red-violet; Ottoman Rose was like writing with raspberry sauce; combining the two and adding some Couleur Royale to pull it toward blue makes a really rather awesome burgundy color. Since burgundy was the color I started out using, way back in the day, with my Sheaffer (before Sheaffer discontinued their burgundy, the rat-bastards), I am possibly just the slightest bit unbecomingly smug about this.
  • No matter how hard I try, I cannot like blue-black ink (which is what Mike used in the John M. Ford Memorial Pen). I have just purchased a converter for it and a bottle of Noodler's Old Dutch Sepia.
  • The Pelikan Technixx is going to get Noodler's Squeteague Turquoise.

The Squeteague and the Sepia are both experiments. (Squeteague is such a Lovecraftian word I couldn't resist it, and it looks like an interesting color.) We'll see what happens.


---
*One of the Lamys is my purse pen, so that I have a fountain pen to use outside the house which I will not be devastated if/when I lose. The other Lamy is my John M. Ford Memorial Pen, and it does not leave my desk.



Incidentally--the things you find when you Google--you can get cufflinks made from the copper window encasements removed in the 2005 remodeling of the Flatiron Building. Tor peeps, did you know about this?
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