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truepennyI'm reading F. W. Deakin's The Brutal Friendship: Mussolini, Hitler, and the Fall of Italian Fascism (1962), and for some reason a minor exchange Deakin mentions between the King of Italy and one of his marshals insists on being rewritten in iambic pentameter, as if it were a quote from some time-traveling Elizabethan playwright*:
If anyone wants to do anything with this, you may consider yourself to have my blessing. Because I'm not ABOUT to write a five-act blank verse tragedy about Mussolini--despite the sudden, ridiculous temptation of writing the Hitler scenes.
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*This is oddly appropriate, since February 26 was the day of Christopher Marlowe's baptism in 1564, and in![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
matociquala's excellent story, "This Tragic Glass," Marlowe is exactly that: a time-traveling Elizabethan playwright. Happy approximate birthday, Kit, and next time, just pay for the fucking fish, all right?
VICTOR EMMANUEL: The old guard . . . ghosts, all of them.
BADOGLIO: Then we, sir, we two are also ghosts.
--The Fall of Mussolini
If anyone wants to do anything with this, you may consider yourself to have my blessing. Because I'm not ABOUT to write a five-act blank verse tragedy about Mussolini--despite the sudden, ridiculous temptation of writing the Hitler scenes.
---
*This is oddly appropriate, since February 26 was the day of Christopher Marlowe's baptism in 1564, and in
matociquala's excellent story, "This Tragic Glass," Marlowe is exactly that: a time-traveling Elizabethan playwright. Happy approximate birthday, Kit, and next time, just pay for the fucking fish, all right?
