truepenny: artist's rendering of Sidneyia inexpectans (writing: fennec)
The Marriage of True Minds, Part 4 (of 10): 2,000 words
Running total: 8,000 words

I also wrote a (very sketchy) synopsis for The Emperor of the Elflands today, so tomorrow it's back to the Bridge. I know I won't be able to keep up this habit of working on two things at once, but I do kind of like it. It makes both projects feel so much less fraught, and I can invoke the AWBTWYSBD* clause to get the guilty pleasure without the guilt.

---
*Any Work But The Work You Should be Doing
truepenny: artist's rendering of Sidneyia inexpectans (writing: abattoir)
The tasks I set myself yesterday to do today got preempted by a new task: write synopsis of The Emperor of the Elflands so my agent can present it to my editor like half a dead vole.

Or, you know, not.

That task has not been finished, because I hate writing synopses--hate it, precious, hate it we does--so my other tasks also languish. Although I did get the assassination attempt finished.
truepenny: artist's rendering of Sidneyia inexpectans (writing: octopus)
Today, aside from getting halfway through the assassination attempt in The Marriage of True Minds (i.e., the assassin has failed, but there's all the clean up and explication to deal with), I read the forty-six thousand words I have of The Emperor of the Elflands and discovered three things:

1. I still like this story and world and poor beleaguered protagonist.
2. Damn, this is well-written. Who did you say the author was again?
3. Right there on p. 191 is where I stopped listening to the story and hared off into the Great Grimpen Mire. It's perfectly obvious to me now; it wasn't at the time--partly because I had a very wrong-headed idea about what kind of story it was and partly because I didn't know a vital piece of the plot.

So for tomorrow (under the new regime of setting tasks instead of quotas), I need to:

1. [true minds] finish the assassination attempt and Plicken the Thot.
2. [emperor] figure out the bridge to the Bridge. ([livejournal.com profile] elisem, this is the bit that Engineering for Elves gave me. Thank you!)
truepenny: artist's rendering of Sidneyia inexpectans (writing: fennec)
Q: Would you say that Cymellune is more equivalent to Atlantis, the Minoan Empire, or the Roman Empire?

A: I like this question.

Cymellune of the Waters is a lot Atlantis and a little bit Venice and maybe a smidgen of Sodom & Gomorrah. The labyrinths thing, yes, loops over to Minoan Crete, and there's a good deal of the Byzantine Empire in some places, and certainly the way Marathat and Tibernia relate to it is a lot like the way later nations related to the Roman Empire.

In other words, yes.

(As a bonus answer, the fall of the empire of Lucrèce is the fall of Troy, only I reversed things so it's the Trojans bringing the Achaians down.)

Q: Do you "outlining" your books? If so, what does that entail? A thesis-like outline (I. 1. a. i. that sort of thing) or is your method more organic? When do you consider an outline "finished" and do you then feel the book is ready to begin, or do you revise the outline?

A: No, I don't outline my books--at least, not before I write them. Part of my revision process is doing what's called a reverse outline, where you take a finished piece of writing and make an outline of what you've written. Incredibly helpful in both fiction and non-fiction for catching redundancy and continuity gaps.

I may sometimes know things about where a story is going, and I certainly do write those things down. (Because otherwise I will forget them, and nothing drives me more bonkers than knowing there's something I used to know about a story that I am now completely unable to dredge up out of the murk.)

The Marriage of True Minds, Part 1 (of 10): 2,000 words

This story is the exception to the rule I claimed above, as I'm using the International Spy Museum's version of the Moscow Rules (from a postcard [livejournal.com profile] matociquala has on her fridge) to structure it. So it has ten parts, and in each of the ten parts, I know roughly what happens. In a structural sense, anyway. The actual plot is still largely a mystery. I don't know if this is going to work, but the previous version of the story most certainly does NOT, so it can't hurt anything to experiment. Also, I am writing again for the first time since I turned in Corambis, and it does, in fact, feel pretty darn good.

[livejournal.com profile] jaylake said two important things on Monday: "writing a book is like exercising — it feels terrific when I’m doing it, but vaguely intimidating and overwhelming when I’m not doing it" and "the best cure for writing angst is writing." With the new flat panel, I can't use my monitor as a bulletin board any longer, but if I could, you bet those would be going up.

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