truepenny: artist's rendering of Sidneyia inexpectans (writing: felix in china)
Ben Rosenbaum has a great idea about redressing the imbalance between the translation of Anglophone authors into other languages and the tranlsation of non-Anglophone authors into English. (Hint: the imbalance is enormous.) Aliette de Bodard and Alex Shvartsman are on board. Which puts the languages available at: German, Spanish, French, Russian, Hebrew, and Vietnamese (with varying degrees of fluency on the part of the volunteer translators).

I would love to be able to add my name to the list, but the languages I am best at are dead. (Also, even if anyone wanted to trust my very rusty French, I honestly don't have the time/energy to commit to it. I was a Classics major in college; I know just how demanding a job translation is, and I know I can't do it right now.) But I want to do what I can, which is to boost the signal and encourage other authors to join in.

Seriously. This is a GREAT idea.
truepenny: artist's rendering of Sidneyia inexpectans (ws: hamlet)
Con or Bust auctions are live!

I have two items in the auction (and believe me, there are pages and pages and pages of COMPLETELY AWESOME SHIT):

1. the absolute last copy of the Kyle Murchison Booth chapbook Unnatural Creatures

2. a copy of The Goblin Emperor, just as soon as my author copies come

Also, just in general, Con or Bust is an excellent endeavor. Even if you can't bid, please spread the word!
truepenny: artist's rendering of Sidneyia inexpectans (sock elephant)
1. The annual auction for Con or Bust starts February 10. I have donated two items:

(a.) the absolute last copy of Unnatural Creatures
(b.) a signed copy of The Goblin Emperor (yes, this is ANOTHER way you can win! aside from naming my sock elephant, that is)

There are many other fabulous items, also. Please check it out!

2. Katherine Addison has a webpage! There isn't much on it yet, and I welcome suggestions for material you all would like to see.

3. And while I'm on the subject, the release date for The Goblin Emperor is April 1st, should you desire to know. Katherine's currently minimalist website has links to pre-order options.

4. The Kelpies by Andy Scott is JAW-DROPPINGLY AMAZING. Also? Ponies! By which, of course, I mean draft horses.

5. The Locus Recommended Reading List for 2013 is up. Go read something!

+1. Peter Mulvey's Kickstarter for his new album Silver Ladder is going just swimmingly, but he's reaching for his stretch goal of $50k or 1,000 backers. If you know Mr. Mulvey's music, you know why I'm signal-boosting this. If you don't know Mr. Mulvey's music, I heartily encourage you to give him a try.
truepenny: artist's rendering of Sidneyia inexpectans (cats: nom de plume)
Back in 2009, when my career as a novelist went into a nosedive, somebody asked me what my readers could do to help. I apologize wholeheartedly to that person, for I no longer remember who they are. At the time, I didn't have a good answer, both because I really didn't know and because there was, at that point, nothing readers could do.

But now, five years later, when The Goblin Emperor is finally coming out this April (under my penname Katherine Addison, since alert readers have pointed out that I should probably mention that), I do have an answer, and I'm offering it up--not merely on my own behalf, but so that you all, as readers, know how to help the career of any writer whose work you like. And, as it turns out, the answer is simple. There are three major things any reader can do to support a writer:

1. BUY THE BOOK

I cannot emphasize this strongly enough. Buying the book is absolutely the best thing you can do to help a writer. And that means buying the book when it comes out.

That's easy for my book in this particular instance: it's a standalone. But I know there are a lot of people--and I'm one of them--who much prefer to wait to buy the books of a series until the series is complete. The problem is that the message that strategy sends to publishers isn't, "I'm waiting to buy this book until I can buy all the books." The message it sends is, "I'm not going to buy the book." And you end up with a situation like I was in in 2009: by the time the fourth book came out, the second book was out of print (so that readers who were waiting for the series to be complete were now unable to buy all the books), and Ace had already decided not to offer me a new contract. By the time the series was complete, in other words, my publishing career with that publisher was already over; people buying the fourth book (and Corambis, like The Mirador, is still in print) had no effect on my career at all. It was too late.

Another grim--and frequently realized--possibility is that later books of a series never come out at all. Publishers don't necessarily buy all the books in a series when they buy Book One. (Again, to use me as an example, Ace bought Mélusine and The Virtu together, but they didn't buy The Mirador and Corambis until two years later when they'd had a chance to see the sales figures on Mélusine, which is the only one of the four that earned out its advance.) If they don't like the sales figures on Book One, they may choose not to buy the later books at all. Again, the people who were waiting to buy the series never register as potential sale; they register as No Sale.

So if you're one of those people who prefers to wait (and I promise you, I understand and I sympathize), buy the book anyway. Again, this isn't just about my career, because it isn't just in my case that publishing works this way. Any author you like, if they start a series, buy the books as they come out. Nobody will make you read them until the series is complete, and buying the books as they appear is the only direct way you can tell the publisher you want the series to continue.

2. READ THE BOOK

(I know this is self-evident, but it just felt weird leaving it out.)

3. TELL THE WORLD

There is an indirect way you can tell the publisher you want the series to continue, or the author to be offered another contract, and that is to tell everyone you know that you like the book.

Seriously.

Nobody actually understands why readers choose to buy the books they do. Nobody understands why J. K. Rowling took the world by storm and Diana Wynne Jones never did. Nobody understands why The Name of the Rose was a best-seller. Or Fifty Shades of Gray. Or A Game of Thrones. Publishers are trying their damnedest to find the books that will replicate this phenomenon, but they do it by guess and gamble, and when they succeed, they don't know why, either. Nobody knows why people buy books.

The thing we do know is that word-of-mouth is the best and most persuasive way for a potential reader to find out about a book.

So if you like the book, tell your friends. Tell your family. Tell your co-workers. Tell anyone you know who you think might like it. Blog about it. Write an Amazon review of it. Ask your library to buy it. (And if you can't afford to buy the book yourself, getting the library to buy it and checking the book out is an excellent alternative.) Get your book club to read it. Spread the word.

Now, none of this is obligatory. I'm not issuing commands here. I'm saying that, if there is a writer whose books you like, these are the best things you can do to help their career continue. And it holds true for self-published authors, as well. The mechanics are different, but those fundamental needs are the same. Authors need readers first and foremost to read their books, because without that, none of this even matters. But to make their careers flourish, authors need readers to buy their books and to talk about them.

Buy, Read, Talk. (Like Eat, Pray, Love, only for books.) That's my answer. That's how readers can help the career of an author whose works they enjoy.

And my first resolution for 2014 was to make this post.

RIGHT NOW

Feb. 6th, 2012 09:32 pm
truepenny: artist's rendering of Sidneyia inexpectans (writing: catfish)
You should all go look at the ABSOLUTELY FREAKING AMAZING series of pendants [livejournal.com profile] elisem has made based on my story "Katabasis: Seraphic Trains" (in Somewhere Beneath Those Waves), which in turn was based on Elise's necklace "Why Do You Linger?"

Seriously. Go look. Right now.

ETA: LINK FIXED. GO LOOK.
truepenny: artist's rendering of Sidneyia inexpectans (Default)
[livejournal.com profile] con_or_bust, the annual fundraiser to help fans of color attend sf conventions (primarily WisCon), is up and running. Very cool stuff, very cool cause.
truepenny: artist's rendering of Sidneyia inexpectans (Default)
I just got email telling me that:

Severe winter weather throughout much of the United States has caused the cancellation of nearly 23,000 blood and platelet donations nationwide through the American Red Cross since January 1.

There is a critical need for donors now. All blood types are needed, but there is a special need for donors with type 0 negative, A negative and B negative blood.


Now, this email is asking me to donate, and it drives me nuts that I can't, especially since I'm A negative. But I need to get this stupid iron deficiency thing sorted out. So I'm doing the next best thing, and posting this.

If you can donate, this would be a great time to do it. Go here to find a blood drive near you and schedule an appointment.

The Red Cross estimates that every donation they get helps save three lives.
truepenny: artist's rendering of Sidneyia inexpectans (ds: diefenbaker is love)
Doranna Durgin is doing a fundraiser for her beloved and amazing dog, Connery Beagle ([livejournal.com profile] connerybeagle or @ConneryBeagle) with a collection, The Heart of Dog (dog-themed specfic stories by Durgan and a bunch of other nifty people, suggested donation $2.99).

To be clear, unlike with the Ben Jonson Memorial Fundraiser, Connery Beagle is alive and struggling with a horrifying array of medical problems. So donations will help keep him alive and able to keep doing the things he loves. And this seems to me like a very good thing.

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truepenny: artist's rendering of Sidneyia inexpectans (Default)
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