truepenny: artist's rendering of Sidneyia inexpectans (Default)
1. (found via [livejournal.com profile] coffeeem)
"Stand By Me" by (RED)WIRE

This? Is amazing.


Stand By Me from David Johnson on Vimeo.

2. It's John M. Ford's birthday. Mike, wherever you are, I hope your birthday celebration is epic.

3. My gratitude. To everyone who reads my books. Everyone who buys a copy. Everyone who checks a copy out of the library. To everyone who blogs about my books or reviews them. Even if your review isn't positive, you're still taking the time to talk about my books, and I appreciate that. To every librarian who gets his/her library to buy my books. To every bookseller who hand-sells my books. To everyone who tells their friends to read my books or loans their copies out or buys my books as gifts. Seriously. I am deeply, deeply grateful to each and every one of you, and I feel like I really need to say that.

So, thank you. There are some really awful parts of being a writer, but you all are one of the things that make it worthwhile.

Waterlog

Aug. 18th, 2008 01:51 pm
truepenny: artist's rendering of Sidneyia inexpectans (valkyries)
TIME: 30 min.
DISTANCE: 3.5 mi.
TOTAL: 29.7 mi.
NOTES: Too busy yelling at Prof. Rabkin to go for the burn.
SHIRE-RECKONING: I can see the River from here!

We've started Part 2 of the lecture series and Professor Rabkin is defining science fiction. He constructs a definition of science fiction in which the prototype has three characterisitcs:

1. claim of plausibility against a background of science (he's also asserted that Star Wars is science fiction, and I'd really like to know where he finds the claim of plausibility in it*)
2. high adventure (at this point, I yelled "MIKE!" at the DVD player, because Growing Up Weightless is brilliant science fiction and not even remotely "high adventure"**)
3. intellectual excitement (I will grant that good science fiction does provide this, but you know, so do mysteries. Fantasy can do it, too--at least I hope to hell fantasy can do it, or what on earth have I been doing for the past fifteen years?)

There's also an implicit, unexamined definition of science fiction against fantasy, whereby science fiction is (a.) for adults and (b.) literature.

And I'm sorry. Taking cheap potshots at the MOVIE VERSION of Dracula (and he doesn't even specify which movie) to assert that Frankenstein is more scientific and more plausible, and he conflates the Karloff Frankenstein with the Shelley Frankenstein anyway, since Mary Shelley very carefully avoids ANY explanation of how Victor animates his creature--I think that was the point at which I descended into name-calling . . . no, sorry, that was when he was expressing ASTONISHMENT that Asimov and Tolkien should be grouped together by publishers. I very nearly stopped the CD at the point where he was explaining prototypical definitions with the example of female beauty. "We look at a woman," he says, and you know what? That "we" does not include any women in it. It's that nice unexamined "the generic pronoun in English is 'he'" kind of misogyny which has no animus against women, and it doesn't matter unless you ARE a woman, in which case you suddenly feel like you've been asked to leave.

Also, when he talked about the types of definition, citing Wittgenstein (prototypical, functional, characteristic, and social) he forgot to mention the other crucial axis, prescriptivist vs. descriptivist. But since he's chosen to make a prototypical definition, he's prescriptivist by default. Which means I will be severely skeptical from here on out.

Also, he's trying to claim The Tempest is science fiction. Where is the science? Where, for that matter, is the claim of plausibility? WHISKEY TANGO FOXTROT, OVER.

Um.

Well, you know, it got my heart rate up. *g*

---
*My Star Wars canon includes only three movies and does not contain the word "midichlorians" in its lexicon. And Rabkin's only talking about A New Hope anyway.

**Speaking of Mike, I hope he knew about and visited the Mid-Continent Railway Museum. We went last weekend, and I kept thinking, "Mike would love this!"
truepenny: artist's rendering of Sidneyia inexpectans (ws: yorick)
I am thinking of Jim Rigney (Robert Jordan) today, whom I never met, but who was Mike Ford's brother of the heart, and I'm thinking of Mike, who died a year ago, and I'm thinking of Elise because I love her and because surviving is hard.

And I'm thinking of John Donne, because I'm teaching him today, and because "A Valediction: Forbidding Mourning" has just come very close--because I'm thinking of Mike--to making me cry.

([livejournal.com profile] scott_lynch has written a gorgeous and honest tribute to Robert Jordan and his work, which--as is so often the case with Scott--is very much what I would have liked to have said, only better articulated and more compassionate than I could hope to manage.)


A Valediction: Forbidding Mourning

As virtuous men pass mildly away,
And whisper to their souls to go,
While some of their sad friends do say,
"The breath goes now," and some say, "No."

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move;
'Twere profanation of our joys
To tell the laity our love.

Moving of the earth brings harms and fears,
Men reckon what it did and meant,
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.

But we, by a love so much refined
That our selves know not what it is,
Inter-assurèd of the mind,
Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion
Like gold to airy thinness beat.

If they be two, they are two so
As stiff twin compasses are two:
Thy soul, the fixed foot, makes no show
To move, but doth, if the other do;

And though it in the center sit,
Yet when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must,
Like the other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.
truepenny: artist's rendering of Sidneyia inexpectans (Default)
Today, April 10th, would have been Mike Ford's 50th birthday.

In an instance of truly beautiful serendipity, the ARCs of The Mirador just arrived, one of which, if you recall, I am going to auction off for the John M. Ford Memorial Book Endowment.

Here's the plan.

I will make a post opening the auction on Thursday (April 12th), and it will run for twenty-four hours, closing at the same time on Friday (April 13th). Bids will be made in the comments to that post. On Friday, I will make a second post, closing the auction, and then the winner can email me their address and how they want the ARC inscribed. (And, yes, the ARC will be hand-corrected by the author--you can also tell me whether you want the corrections and inscription in Noodler's Nightshade, Forest Green, or Le Couleur Royale.) I send them the ARC; they send the JMFMBE a check.

Everybody wins.

Happy birthday, Mike, wherever you are.

P.S. Please, tell the world about the auction! Non-LJ commenters will be allowed to bid, so long as they SIGN THEIR COMMENTS and INCLUDE AN EMAIL ADDRESS.
truepenny: artist's rendering of Sidneyia inexpectans (ws: yorick)
Mike's memorial service is today. Details are here, on [livejournal.com profile] nemesis_draco.

I wish I could be there.
truepenny: artist's rendering of Sidneyia inexpectans (ws: yorick)
[livejournal.com profile] elisem has a post about Mike and the Minneapolis Public Library, and the soon-to-be John M. Ford Memorial Endowment Fund, which is so fitting and beautiful that I'm crying again, and I hate crying while I type.

I am finding that most of my memories of Mike are gestalt memories rather than specific memories: the instantly recognizable intonation of the "ANYway ..." he used to signal he'd finished a digression and was coming back to the topic ostensibly under discussion; the way he'd appear periodically at Elise's table in the dealer's room, just to check in with her; Ask Dr. Mike, complete with white coat and microphone; and, most germane to this, I've got a beautiful clear image of Mike in a Minneapolis bookstore, patiently trawling the shelves, bulky coat, bag, ponytail, eyebrows, and all.

I only got to go bookstore trawling with him once, but I've got that memory. And I love having it, and I love him for having been Mike.

And I hate crying while I type.
truepenny: artist's rendering of Sidneyia inexpectans (Default)
[livejournal.com profile] matociquala called me this morning to tell me that Mike Ford has died, and we had a sort of very small wake over the phone.

I am glad I saw Grim's Fairy Cabaret at Boskone.

I am glad I went to Ask Dr. Mike every chance I got.

I am glad I got him to sign at least a couple of his books, so that I still have that link to him.

I am glad for the evening we spent, at whatever con that was, watching TV in the room, just the two of us.

I am glad that I knew him, glad that he seemed pleased to see me when we met at cons, glad that I got to hug him. Glad that he'd spend half an hour telling me about whatever television show he'd been watching most recently, with digressions into everything under the sun.

And I'm going to miss that--miss him--terribly.

Mike, I hope wherever you are now, the conversation is good.

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